However, its scale and imagination make it an interesting watch - as does the intriguing notion of Hrithik as India's first pratham sevak. That's epic enough.
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On the whole, MOHENJO DARO comes across as a grand historical fictional tale which appeals only in parts. The lack of engaging and relatable drama act as spoilsport in the narrative. From the Box Office perspective, competition from RUSTOM and lack of crucial narrative will act as a major hindrance.
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Mohenjo Daro is a major failure in terms of both history and execution.
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Mohenjo Daro is stuck in the past and not just in terms of its substance. What the film clearly says is that both director Gowariker and Hrithik need to move on and reinvent themselves.
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Watch the film if Hrithik’s physique, dancing skills and flexibility are enough to attract you but you can totally avoid it if a grandeur does not make up for the lack of substance, facts and logic.
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Hrithik Roshan can't rescue this film. Ashutosh Gowariker makes it bigger but not better. Pooja Hegde needs a better debut. Mohenjo Daro is a plod.
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Ashutosh Gowariker does not make historical films, let's get that clear. He is great at making spectacles using historical stories as a crutch. Sadly, this time, he picked the wrong story.
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There isn’t as much wrong with this film as the fact that you wonder what's good about it. By the end of the film, you will be spectacularly bored by this humourless spectacle. And the question in your head is less likely to be: 'What is going on?' and more likely to be, 'Why is this going on forever?'
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Hrithik Roshan’s period drama is Agneepath set in prehistoric times! Hrithik Roshan's Mohenjo Daro is better that Ashutosh's What's Your Raashee?, but the film is a let down on several counts.
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