It is crude, callous but in trying to whip up suspense, it loses sight of vulnerability.
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On the whole, though RAMAN RAGHAV 2.0 promises to be an edgy thriller, the film fails to deliver. It is only Nawazuddin's brilliant performance that helps you sit through this 140 mins long film.
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Raman Raghav 2.0 is to be watched if you wish to dive into the convoluted mind of a serial killer. If you’re not interested in that, you can give this one a miss.
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Extending Kashyap's continuing probe into the horrors of dehumanisation, Raman Raghav 2.0 dives deeper into the cesspit than any of the director's earlier films - to deliver a dystopian study that is at once fascinating and nauseating.
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This is a scary, sadistic and trippy ride
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There are some mesmeric bits in here, which belong to Siddiqui. But those are not enough. Without those crucial elements, the film is rendered atmospheric yet hollow, and we are turned into cringing voyeurs, into reluctant participants, without redemption.
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Raman Raghav 2.0 is another triumph for Anurag Kashyap. It sure is not a Gangs of Wasseypur, but the filmmaker knows what to do with his viewers. Shocking people, disturbing them, stirring them come naturally to this man as killing comes to Ramanna. Watch the film. 'Sa-prem'!
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It is dark, very dark and deprived of even a shred of dignity. It makes you feel nauseated at the shocking spread of depravity served to you. But then again, it is unique storytelling. Go for it, if you have the suitable palate.
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It’s consistently engaging, but doesn’t get under your skin like some of Kashyap’s other films, particularly Black Friday,Gangs of Wasseypur, and the criminally overlooked Ugly.
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